Only 8
of the series’ 201 episodes were written by women. By the time Gillian Anderson
got to write and direct her season 7 episode “all things” she was the 7th
female writer of the show and only the 4th to get a sole writing
credit. She was also the last. Her episode was the last one written by a woman.
This is
not surprising considering male-dominated Hollywood, nor am I raising it as a
criticism. In fact, it is a testament to the sensitivity and feminism of Chris
Carter’s all-male writing room that the show was so even handed on gender. The
horror genre to this day is notorious for sexploitation of female bodies and
sexist stereotypes. The X-Files mostly avoided that. You could sense that the
writers were actively balancing the number of times each partner got to rescue
the other. If you add it up, you might even find that Scully rescued Mulder
more times than he rescued her. Over the years, Scully went on dates. She had
sex a few times without the story shaming her for it. When Mulder did act
possessive of her, this was always done in a way that cast him in a negative
light, like he was being petty or even creepy.
It is
also a credit to the writers that they kept the narrative balanced between
Mulder and Scully despite the fact that the show was about Mulder’s life’s
work, not hers. Almost every episode is structured around Mulder’s crazy idea
being right—this is part of the fun of watching. He’s like a paranormal Sherlock
Holmes, which makes Scully his Watson. Watson’s narrative purpose is basically
to show how smart Holmes is by comparison. Not so with Scully. She is Mulder’s
counterpoint, her critical perspective making his methods stronger, and
vise-versa. Unlike a lot of depictions of Watson, Scully is not a dolt or a
buffoon. She always held her own.
And
still… by Season 6 and 7 this relationship started to grate ever so slightly.
By then she was not personally invested in many X-files because of her health
or her family. It was just an all-consuming day job. She spent a lot of time
whining to Mulder that the case they were investigating was not an X-File, only to be
proved wrong. Much of their work was on Mulder’s terms, and he gave her a lot
of marching orders with every expectation that she would do as told. We were
left to wonder, how long would a strong, independent woman—a medical doctor who
can kick butt in heals—put up with this?
Anderson’s
episode “all things” is a corrective to this Scully drift, and also a sly, brilliant
maintenance job of the status quo in their relationship. Anderson tackles the
imbalance head on from Scully’s point of view, and let’s Scully have some
agency in deciding to keep the path she is on.
In the
voice-over opening monologue she even uses the word ‘drift’ to name what is by
then obvious about Scully: “How rarely do we stop … to consider whether the
path we take in life is our own making, or simply one into which we drift with
eyes closed.”
Anderson
gives Scully a juicy backstory that dramatizes this choice. Before joining the
FBI she had an affair with a married man that resulted in the dissolution of
the marriage. She left him, but in this episode he reappears in her life
offering to take her back. She contemplates the life she could have had if she
stayed with him, and that she could restart now if she wanted. But by the end
of the episode, she has chosen against this old flame. She tells Mulder, “I
once considered spending my whole life with this man. What I would have missed”
[Emphasis mine].
Here
Anderson allows Scully to voice her reason for staying on the X-Files. Scully
values what she has learned, how she has grown, in her years working with
Mulder. She is saying: I chose this, and I continue to choose this for myself.
It is an understated moment at the very end of the episode, but one that is the
key to her character.
Anderson
also has some good-natured fun with Mulder’s character. After 7 years of
episodes of him always being right, she makes him wrong about everything in
this episode. The episode begins after an autopsy of an X-File that is
legitimately not an X-File. Scully says that the victim did not die “of
inhalation of ectoplasm as you so vehemently suggested.” Mulder says: “What
else could she possibly have drown
in?” It was margarita mix.
But
Mulder had already moved on to crop circles in England. In a well-shot scene,
he is talking through one of his slide shows and the camera is on Scully
picking through a salad not paying any attention to him. When he calls her on
it she says, “I guess I just don’t see the point.” And besides, it’s Saturday
so instead of flying to England to track down “some sneaky farmers who happened
to ace geometry in high school” she’d rather be doing just about anything else,
like taking a bath. You really get the sense of what her work life is like at
it’s lowest. When Mulder is hot on the trail, he is brilliant and it’s
riveting. But on an average day in the office, he can be nutty, pedantic, and
boring—and she is expected to play along with every crackpot idea. Turns out
Mulder flies all the way to England—Scully refuses to go—and he finds
absolutely nothing.
In
theories of literacy there is the concept of Landscapes of Action and
Landscapes of Consciousness. The former is when the story is all about action,
the quest, winning the prize, reaching the goal. The latter is all about what
is happening in the interior of the characters, their hearts and minds, their
inner-most thoughts. Literature uses both to tell its stories. Boys are
supposed to respond better to literature that inhabits the Landscape of Action,
while girls tend to relate better to the Landscape of Consciousness. The same
goes for male and female writers, of course not 100% of cases fit this model. It
is telling that Anderson’s episode contains no mystery to solve, no case to
crack, no monster to capture. There is very little plot. There is a beginning,
middle and end, but it maps onto Scully’s internal conflict: is she happy; has
she made the right choices in her life; should she choose another path? As
Scully has been telling Mulder all season: there is no X-File here. Except for
the mystery of existence, and the role of fate in our lives, which the series,
in its season 7 maturity, has been suggesting is the most important X-File of
all.
The
episode Duchovney wrote and directed in Season 6 was all about baseball, pure
Landscape of Action. Of the two episodes I think Anderson’s, though flawed, was
superior. His story was kind of a mess. He concocted a twin brother to Arthur
Dales, presumably so he could work with an actor that he preferred over the
original Arthur Dales. Admittedly that actor was great fun to watch, but the
story was just a mess, even though it had an interesting concept: a gray alien
in the 1940s rebels against colonization and shape shifts into a black baseball
player before integration. It is the only time in the entire series when we get
the point of view of an actual alien, but because the depiction is in such a
silly episode and unmoored from the rest of the mythology, I don’t put much
stock in it.
Scully
does not factor much in this one, but there is a striking scene in the end when
Mulder is teaching her to hit a baseball. It starts out as a sweet scene, but
grows more cringe-inducing. Mulder holds her torso and forces her movements so
that she swings the bat to hit the ball. He looks like he is manhandling her. First
of all, I don’t think this is how you teach someone to hit a baseball. Second,
it is a terrible visual that symbolizes Mulder as the puppet-master of her
life.
Duchovney
started co-writing episodes with Carter in Season 3 and continued into Season
and 9 (when he wasn’t even acting in the show). He had sole writing credit on
episodes in Seasons 6 and 7. This is not evidence of gender bias as much as it
is Duchovny’s personal desire to write for the show, born out by the fact that
last year he published a novel and admitted he always wanted to be a writer. It
is surprising that Anderson did not write and direct again, especially during
season 9 when she had a lighter acting schedule. I can only hope that this did
not happen because of her own wishes. In any case, I’m grateful we got her take
on Scully in “all things”
Implications
for the new season:
“all
things” has a great teaser where we see Scully getting dressed in the bathroom
and then walking out with Mulder asleep in bed. We later learn she fell asleep
on his sofa the night before. Still, the moment was arresting. For the first
time—after years of being against the idea and even denying it ever happened—I
totally accept Mulder and Scully as a sexual couple. Not only is it plausible,
it is also highly likely considering their close bond and complete lack of any
factors holding them back from trying out a romantic relationship. Their
flirtation has been building over Season 6 and 7. By mid Season 7 Duchovny and
Anderson portray the characters with more affection for one another, with more
outward signs of their love. And the scripts give them romantic lines like Mulder
whispering to himself, “She still can surprise me.” They seem genuinely in
love, but also afraid and unsure what to do with it. At the end of “all things”
as they are musing about their life paths Mulder says, “One wrong turn and we
wouldn’t be sitting here together… That’s probably more than we should be
getting into at this late hour.” It’s a scene that, if Scully had not fallen
asleep, would have ended in a kiss.
While
it makes good character sense to put them together, the relationship would have
fundamentally altered the show’s narrative. The love affair would necessarily
become such a big part of the story that it would crowd out other elements of
the successful X-Files formula. The writers could not have them chasing
monsters and killers like they used to. We would always be wondering what they
were doing together when they weren’t working: are they on a date? Do they go
on vacation? Are they moving in together? Do they argue about the toilet seat
and who does the dishes? If they were romantically involved, the show could
never avoid the details of how they are as a romantic couple. So it is good
that they got together at the end of the series, and in such a vague way. For
the same reason, I am glad that Mulder and Scully won’t be a couple in the new
season.
What
has changed for me, upon re-watching the series, is that I now accept they were
in an active romance. It lasted a few years but it did not work out because
they are two different people who want different lives. When they reunite in the
new episodes it will be as best friends who know one another better then anyone
else, who share a deep love and history, but who have gone their separate ways.
All the better since they can chase aliens without having to pick up toilet
paper on the way home.