Monday, December 31, 2012

Analysis of Mr. Midshipman Hornblower


This novel is not the first in the series. The character first appeared in print as a captain in the novel Beat to Quarters, evidence that prequeling well-established heroes is not a recent Hollywood invention. Unlike Hollywood fare, Mr. Midshipman Hornblower is a successful and believable depiction of what the first years of the celebrated captain’s career should read like. (More on the comparisons to Kirk later).

We meet him coming aboard his first vessel, the Justinian. He is barely seventeen, small framed, weak and seasick, with the indignity of having to wear an overlarge uniform. Unlike the other sun-beaten sailors, he is pale. Forester isn’t two pages into the novel before describing his hero is the least heroic way possible: “Set in the white face were a pair of dark eyes which by contrast looked like holes cut in a sheet of paper.” His feet are so unsteady on the deck that he frequently trips, at one point sliding down a ladder “like an eel over a rock.”

He is described as suffering seasickness for the first half of the novel. Towards the end of the book he is not much bigger. At age nineteen, he has to borrow a fellow midshipman’s clean stockings for a state dinner, and he has to pad out his thin calves with wood shunts and plaster so the stockings don’t sag. He loses two ships he is put in command of, the captured French vessel Marie Gallant and the small sloop Le Reve. (Although he captured or helped to capture as many ships as he lost.) He is no nervous during is promotion review for lieutenant that he freezes up, and would have been rejected if the review was not interrupted by Spanish attack. His missteps and deadly mistakes often lead him to a fit of weeping, or the necessity of staving off such a fit for dignity’s sake.

So why is this a fitting beginning for the legendary future captain and admiral? Because Forester is explicit about young Hornblower’s strengths. First, we learn that Hornblower studied hard in school. He often refers to Norie’s Eptiome of Navigation and other tomes that he had undoubtedly poured over in the naval academy. The second thing we learn (in the very first chapter) is that this weak, knock-need boy has courage. He instigates and follows through with a duel (by luck of a misfire, both shooters are unharmed). This episode shows that Hornblower has no qualms about putting his life on the line. And he does so in each of the subsequent nine chapters. One great example is in Chapter Four. The Indefatigable is trying to sneak upon and capture a French ship. Hornblower’s only job in the boarding party is to drop the mainsail so that the ship can be sailed out of the bay. To do this he has to climb up the mast 100 feet and drop the sail. He is afraid to do this job, and during the mission briefing he wants to protest that he is not the man for the job. Tellingly, he stays quiet. During the boarding, when he reaches the top of the mast he finds that the French had removed planks and cables so he is required to run along a single cable for the length of the sail, a feat that, “in a circus at home would be receive with ‘oh’s and ‘ahs’ of appreciation.” Suffice to say, he completes the task and the ship is successfully taken. It is a moment where he learns what he is capable of.

Chief among young Hornblower’s strengths is that he learns from his mistakes. As he realizes that the Marie Gallant is sinking he immediately understands how his pride over his first command blinded him to critical dangers that were beneath his feet the whole time he was aboard her. The personal shame he feels that the ship “had been entrusted to him to bring into port, and he had failed” is what brings on one of his weeping fits. The absolute necessity of completing his charged duties with success becomes a mark of his character. He is always making mental and actual notes for future reference. He is an active learner. (As a sailor, I can say that a boat has a way of forcing this mindset upon you. You know that certain conditions on the water and in the equipment will occur, and something invariably goes wrong. Experience and learning from it are the only means of survival.)

Note this comparison with Lieutenant Soames, who, along with Hornblower, commanded a jolly boat in the battle with the Spanish galleys in Chapter Seven:

Soames had been a grey-haired officer of vast experience. He had sailed the seven seas, he had fought in a score of actions. But, faced with a new situation, he had not had the quickness of thought to keep his boat from the under the ram of the galley. Soames was dead, and Acting-Lieutenant Hornblower would take his place.

Hornblower not only avoided being rammed by the galley, he boarded and captured it. This was above and beyond what duty required. But he was so morally offended by the stench of the 200 slaves rowing the galley that he was overcome by “fighting madness, sheer insanity” against the Spanish. Forester tells us that “Hornblower had never realized the black depths of lunacy into which he could sink,” but that “only good fortune had allowed him to live through it. That was something worth remembering.” We can imagine the young acting-lieutenant thinking about future engagements when he should trust this all-consuming rage and act on it, and when he should not.

A corollary to all this introspection and learning is self-doubt. Hornblower constantly doubts himself and his decisions, but this is ultimately a virtue. By asking hard questions of himself he keeps arrogance in check, and can apply the answers he comes up with to future problems.

So Hornblower is knowledgeable and brave, and quick enough (in body and mind) to apply these qualities to take the necessary action. But there is one last quality that Forester shows again and again. Hornblower is deeply committed to the Code of Honor and Duty of the British Navy. One of his first acts is to challenge a superior officer to a duel because that Lieutenant had “touched [his] personal honor.” When he discovers crewman gambling, he orders them to never do it again and threatens floggings. The most striking example comes at the very end of the novel. He has been a Spanish prisoner for two years. A ship grounds on a reef near the prison. Hornblower devises a plan to rescue the Spanish sailors trapped on the reef. He is allowed to take a small boat manned with Spanish fishermen. They rescue the sailors but must go out to sea to seek refuge from the reef. They are picked up by a British ship. Not only does Hornblower argue with the British captain to free the fisherman, he requests to be sent back into captivity. Under the rules of war, because he was on parole when he went on the rescue mission, he is honor bound not to try to escape. So he goes back to the Spanish, who then free him for his service. Hornblower knows that without honor, and self-sacrifice in the name of honor, a navy cannot function. Tellingly, the voice in Hornblower’s head that tells him not to reveal to the captain that he was on parole during the rescue, is referred to as the Devil.

By the end of this book, you can see the young man’s entire valiant career spread out before him. And you want to watch it unfold through all the coming adventures.

Now, Roddenberry has said many times that James T. Kirk is Horatio Hornblower in space. There are many similarities (and differences) between these two characters, and their chosen homes—the sea and the stars—which I will explore in future posts. But I don’t want to leave this analysis of Hornblower’s prequel without mentioning Kirk’s prequel.




Shatner’s Kirk enlists in the Academy at 17 (the same age Hornblower becomes a midshipman on his first vessel). Four years later he is on his first starship as an ensign. He is given his first command at age 31. So his career from ensign to captain took 10 years, which I believe is a Starfleet record. Some Original Series episodes filled in details of this early career, and there are themes that align with Honrblower, such as Kirk’s guilt over a moment of indecision that led to the deaths of 200 Farragut crewmembers including the captain.

Many fans have always wanted to see these details fleshed out on screen, which is why the Star Trek ’09 film left so many of us disappointed. In the altered timeline of the film, Kirk enlists in the Academy at age 22 (presumably after spending his young adulthood carousing at bars). But once focused on a life goal, he makes for a good student and he is scheduled to graduate after three years. It is important to note that Kirk never actually graduates. His hearing for cheating on the Kobayashi Maru program is interrupted by the attack on Vulcan. When he returns to the Academy after Nero’s threat is neutralized, Starfleet makes him a captain. He is 25. He is given command of a Ship of the Line, after three years of schooling and mere days of active duty.

Now a Hollywood blockbuster is not a novel, and we cannot expect a novelist’s attention to narrative in the depiction Chris Pine’s young Kirk. But there are costs to sacrificing believable narrative to the perceived wisdom of how the story of a summer blockbuster should be paced. Star Trek—as any story—requires that the audience accept the rules and parameters of its story world in order for us to care about its characters and be held in suspense by its action. As soon as the audience grumbles, “That would never happen,” they are pulled out of the story and aren’t likely to reenter it with the full heart of a fan. It is not only that Pine’s Kirk is mortally wounded by the writers' decision, but so is the entire backdrop of J.J. Abrams’ Star Trek Universe—Starfleet. How are we to take Starfleet’s decisions, and its other captains, seriously in future stories?

In all previous Trek, the rank of its officers has always been depicted as a matter of importance, governed by strict rules and tests of competence. Much like rank is treated in the Royal British Navy. Which would you rather have? A captain made out of a crass young man after one test of his character and skills. Or this, from acting-lieutenant Hornblower’s musings on the eve of his examination for lieutenant:

If he should pass… Hornblower would be a lieutenant with two months’ seniority already. But if he should fail! That would mean he had been found unfit for lieutenant’s rank. He would revert to midshipman, the two month’s seniority would be lost, and it would be six months at least before he could try again. Eight months’ seniority was a matter of enormous importance. It would affect all his subsequent career.

I have great respect for those film makers, like Nick Myer, who actually read the Star Trek Ur-texts before they set about refashioning the Star Trek story world. If only we would get more of them.

Tuesday, December 11, 2012

Star Trek Ur-texts

I am beginning a review of what I am calling Star Trek Ur-texts. An Ur-text, for those non-English majors out there, is a text that is a source that had an explicit and major influence over a later work, a direct antecedent, a kind of literary father. You mostly hear about them with Renaissance plays, especially Shakespeare. The Hamlet and Macbeth stories existed in earlier versions, which Shakespeare took, refashioned for the stage and stuffed with the lines that high schoolers now have to memorize.

The classic 79 Star Trek episodes are the most literary inspired of all the Trek series. Naturally, because the writers were creating something never before seen on TV of film. So they had to reach into fiction to find character and story-telling models. The later series just copied each other instead of fresh material, and the genetic drift resulted in some retarded children. (Interestingly, the most unique later Trek, DS9, was heavily modeled on classic Hollywood movies--and not just westerns--that were favored by the various producers).  

In this analysis, I will try to base my label of Ur-text on accounts that the series writers actually viewed them as important sources. The writers were steeped in Sci-fi from the 30s, 40s and 50s, but not every Amazing Stories piece has imprinted its DNA into Star Trek. But some of them may have, and I will eventually try to find them.

The one text that we know is a definitive Star Trek Ur-text is the Horatio Hornblower novels. I will begin with these.


  MrMidshipmanHornblower.jpg

Saturday, December 1, 2012

The Nolan Universe?


My friend from TrekWeb posted some news/rumors about the Justice League movie:


Warner Bros., not content to let us wait for the return of the Dark Knight in his own rebooted franchise, or the even more anticipated (if that’s possible) Justice League movie, are moving forward with plans to continue Nolan’s universe ASAP.
We already know that Christopher Nolan is working with Zack Snyder and the creators of the upcoming Superman movie as a producer, but now it seems like Warner Bros. want more than just his guiding hand on their Man of Steel. They and DC are looking to bring at least 2 of his Dark Knight universe characters into theirJustice League/Man of Steel continuity. 

First, it is clear the Nolan has created a distinct Universe. It is more vivid and comprehensive than even Tim Burton's dreamscape, and one that will not be so easily dispensed with by future hack directors who wish to take over the franchise. No, Nolan's visual and storytelling aesthetic will challenge, bedevil, confound--and hopefully improve--all the comic book filmmakers that come after him. Prime evidence of this will be the almost assured success of the up-comming Man of Steal, compared to the failure of Super Man Returns to achieve cultural relevance. While Nolan is not directing, he is credited with the re-boot concept. No one knows exactly what this concept is, but we know it will be of a piece with his Batman trilogy. In an interview with Details, the new Superman actor Henry Cavill said that the movie is "positively Christopher Nolan-esque." His main evidence is that the character has been updated. He described previous versions of the character as "a bit chocolate box" (got to love the Brits) but this his version will be "reflective of life today."

That has always been Nolan's interest. His Batman movies can be viewed as post 9/11 morality plays. The Dark Knight Rises reflects on the nature of democracy and the alternating roles of citizenry and the mob (which I will explore in a future post). He wants us to see ourselves in his movies, instead of presenting purely escapist fantasies. In order to achieve this goal, he needs to cover everything we see happen on screen with a patina of realism. This necessity infuses every aspect of the film, from set design, costume, makeup, but especially story and script. 

So, about this so-called Justice League. When Batman Begins came out, Nolan or one of his lieutenants said they made a conscious decision that the world of this Batman would not have other super heroes in it. It was because of this structured realism that I assumed back then we would not see a Robin paired up with Bale's Batman. (It is instructive that even though we now have a Robin character, we still aren't likely to see this paring up on screen--even if Levitt does reprise the character in a future spinoff).     

Pairing up two or more super heroes, even Nolan-esque ones, ala The Avengers, will result in a movie that is escapist fantasy and not the hyper-real story world that Nolan has crafted. Even if Nolan moves on to original projects and leaves Batman to others (hacks or not), they will find it nearly impossible to maintain Nolan's vision and aesthetic while cramming in Robin, Superman, Wonder Woman, Green Lantern, etc. It may be a fun movie. It may even be a good movie. But it won't reside in Nolan's Universe. It will necessarily be a comic-booky universe. 

Besides, Nolan's Universe has always been within Gotham City Limits. That is the end of the line. It is part of his realism. He wants you, dear viewer, to think Gotham as a city in your America. It is a place from which, for two and a half hours, you look out and reflect on your actual country and the real world. If a character leaves Gotham, taking you on a visit to a fictional Washington DC or Los Angeles or Metropolis, then you can no longer have the perspective to reflect on the real America. Nolan doesn't want you to leave Gotham, and he will blow up the bridges to keep you there.  




   

Sandy Reflections

The Sandy recovery & reflection period started one month ago. Four weeks ago today our power came back on, and like the flip of a switch, we changed from spooked, cagey, flinty survivors to 'what's on Bravo?'

The big take-away for me is how the storm is viewed in the context of global climate change, or as some prefer Global Weirding. It is shocking to me that climate change has been so frequently connected to discussions about this storm, when it wasn't so long ago when to do so was taboo and politically dangerous. So many New York Times stories have been written about basically proclaiming New York City doesn't have a chance in a the coming warmer world. Last week's Sunday Review literally prepared New Yorkers for the day when they will have to move their city to Rochester. Bloomberg's surprise endorsement of Obama the week of the storm was directly linked to climate change. And his rebuffing of plans to protect the city with sea walls stems from his long held view that we need to stop the climate from changing by changing our behaviors (he needs to devote his time out of office to figuring out how we have to change our economy to facilitate that goal). Meanwhile, Governor Cuomo supports the idea of building protections. Both men attribute storms like Sandy to climate change.

Even Obama makes the connection. He prefaces his statement by saying that "no single weather event can be attributed to climate change", but he goes on to talk about the importance of increasing our efforts to reduce human impact on climate change. This would have been impossible for a politician to say a few years ago.

[In a 4th season 2002 episode of The West Wing, there was a story line about a flash flood in Alaska that killed some people. The liberal writers had one of the liberal characters claim this was "the first death attributed to global warming." And in the episode this caused a backlash and mini-scandal. As usual it was the writer's way of representing politicians as they should be, not as they are.]

I remember the feeling the climate change acceptance shift as it was happening, between the 2004 and 2008 elections. We rapidly switched from the Dick Cheny "the American way of life is not negotiable" attitude to where we couldn't talk about these things except in the most left of liberal circles, to the broad understanding of the public that the American way of life is going to change whether we negotiate or not. It was a shocking, palpable shift in the public perception, and one that was already underway well before Obama and the democratic senate passed their cap and trade bill. Whether it will ever become law may depend on a few more years of droughts, fires and storms, and how much the American people really want to change their economy.
      
In eight years living here (and all the previous years of my life) I never had to prepare for a hurricane--until Irene last year and Sandy this year. There is an emotional acceptance among people that this may well happen every year from now on. And if it does happen in September or October of 2013, the modifier "new" will be lopped off of the oft-quoted expression, and we will just have "normal."


Monday, November 12, 2012

We are able to get gasoline without any wait, but the rationing is still in effect. Im told if you ask nicely or refuse to leave, they will let you buy gas even if it is not your day.

As of Friday I had kids without power. Hopefully Newark is back online for all the students. This is exam week.

Saturday, November 3, 2012

License Plate solution

Allright, the vast majority of NJ plates have 6 figures: 4 letters and 2 digits. The two digits form one number--76 or 15 or 03, etc.

Christie only has to change his EO to say that the number on the plate, being odd or even, determines the day the driver can gas up.

What to do about out of state plates that have more than 2 digits... that will take more subsections of the EO to figure out.

Christie's Exec Order


Here is the FUBAR section of Christie's exec order:

Subsection C. Deeming all license plates not displaying a number as an odd numbered plate.

The problem: all NJ plates end in a letter. So the only way to read the order is that all NJ cars must gas up on odd days and none can gas up on even days.

Here is the entire order:
http://media.nj.com/ledgerupdates_impact/other/Executive%20Order%20108%20-%20Gas%20Rationing.pdf

It only took a few hours for this to hit the fan


from NYtimes live updates
At an Exxon station on Route 40 in Bayonne, N.J., police officers and people waiting in line for gasoline argued over the meaning of Gov. Chris Christie’s order regarding gas rationing.
The order reads: “If your vehicle’s license plate ends in a letter (A,B,C…), you are only permitted to fuel the vehicle on odd-numbered days.” Numbers are allowed on even-numbered days.
The problem: All license plates in New Jersey end in letters, except for vanity plates. So on Saturday, most everyone in the state could buy gas. On Sunday, no one can. Or so it seems.
“It’s an executive order from the governor’s office. We have to follow it,” said Drew Niekrasz, the Bayonne deputy police chief. “Even though it makes no sense.”
Janet Tysh, a Bayonne resident, was waiting in line for fuel for her generator and had planned to get gas for her car on Sunday. When she asked a police officer to explain the new policy, he pulled the governor’s order from his pocket.
“What do you mean?” said Ms. Tysh, 61, who is retired. “Look at all these cars! Every one of their license plates ends in a letter! So the only way I can get gas is if I have vanity plates?”

Christie's gas rationing--license plate confusion

For those of you outside the region, there is def a need for rationing if only to keep people from flocking to the gas stations. We live three blocks from the entrance to the Holland Tunnel, which is closed. All the gas stations along that road are closed--either because of power outage or more likely because police do not want people on that road.

I have a third of a tank of gas, and was thinking of gassing up. But there is a logistical problem. The rule is during even days of the week only people whose license plate ends in an even number can fill up. On odd days like today--Nov 3--only people whose license plate ends in an odd number can fill up.

Here is the problem. My license plate, and every NJ car that I studied as I walked Samson around the block, ends in a letter instead of a number. I probably checked over 100 cars. One website said that if your license ends in a letter, then you fill up on odd days. But many other websites are simply reporting the rule as if every plate ends in a number.

Sidebar: On thursday night I over heard a guy at a bar on his cell phone say the following: "I'm not going to go down there and commander the gas station. That's not my job."

Sandy

The Hamilton Park area of Jersey City has power as of Thursday at 11:30am. The neighborhood is getting back to normal, but there is a tension in the air. Police, fire and ambulance sirens are heard almost every hour. At night blue and red police lights triwl up and down the street--I assume the police want their presence to be known. When the streets were dark there was a 6pm curfew. And I was glad to have it. There is a sense, even now, that there might be desperate people out there. There is talk of mobs of people going to town hall in Hoboken where there is still power out and standing water in buildings and streets.

Gasoline is another issue. I dont need to drive anywhere until next week, but there are long gas lines at the operational gas stations. The problem is that only half of the gas stations in New Jersey are operational due to power outages or other problems. The Obama administration has ordered the military to truck in gasoline, and they have removed restrictions on tankers.

One thought on the tankers: Ive sailed my little boat out in the New York harbor section known as the Parking Lot. They call it that because tankers have to park out there on moorings or anchors before comming in to off load their cargo. First of all, the tanker captains have to be replaced with a harbor captain because the skills that brought the tanker across an ocean are not the same as needed to navigate  the harbor. But gasoline and oil tankers are know to stay out there for months at a time waiting for gas prices to rise. The companies pay the tanker crew to sit out there for weeks and months because of the profits they will reap by an extra 10 or 20 cents on the gallon. Not sure if that is happening out there now. And if it is, not sure who would have the authority to make them move.  

Thursday, August 16, 2012

I have members

Hello.

Ive been away for a while. Teaching High School and writing a novel doesn't leave much time for blogging. This is work. I will try to do better.
Some Entropy Law thoughts Ive had lately that I havent taken the time to write about:
* The wall street computer algorithm that went haywire a few weeks ago. High speed trading is tight-coupling with complex interactions. "Normal Accidents" are bound to increase in frequency. 10 and 20 years ago, when trading entropy was slower, there was less trouble. Cant get into all that now.
* The drought and its ecological aftershocks
* Social entropy and distrust of institutions
* The Dark Knight Rises

more posts soon.

Thursday, June 30, 2011

Japan’s Nuclear “Safety Myth”

Engineers of complex technology should be studying the Fukushima nuclear disaster for many reasons, but one of the most important reasons has to do with belief. According to a New York Times article (6/25/11) the Japanese utilities, government and citizens all succumbed to the mass delusion that their nuclear plants were “absolutely safe”—this phrase is repeated so many times in the article that you get a strong sense of the propaganda that must have been disseminated in Japan for years.



The article traces the nuclear “safety myth” to Japan’s post-World War II restructuring. Japan did not have oil or other natural resources, a big part of why it was defeated. Despite being hit by two atom bombs, nuclear power must have looked like a free lunch card, assurance that they would not slip backwards into the old world development status of primitive Pacific island cultures. But if nuclear power was the only way Japan would survive as any kind of respectable world power, then, by god, nuclear power would just have to be safe. Too much national identity was at stake for it not to be. And once the island nation was peppered with 54 plants, to paraphrase Dick Cheney, nuclear safety was not up for negotiation.



This mindset led to a rash of irrational, if very familiar, bad decisions. The (Japanese!) utility did not invest in radiation-capable robots. At Fukushima, when workers needed to pump water to cool the reactor, the pump they used had to be imported from China. The plants have robots of course, but they are positioned in the visitor centers and on tours for the education and amusement of tourists. If you go on one of these tours you will also see many friendly anime cartoons extolling the virtue and safety of nuclear. You will be guided by an attractive, childbearing-age female tour guide, the likes of whom were hired at Japan plants after Chernobyl to specifically ally the fears of mothers and prospective mothers worried about radiation birth defects.



A misleading PR offensive is one thing, but to willfully neglect to amass safety technology and tools that will be needed in the event of an emergency strikes me as a new page in the history of engineering disasters.



The “Safety Myth”, like all myths, was accepted on pure faith. Therefore, any emergency contingency plan directly challenged that faith. Since the faith stood on a shaky foundation to being with, everyone who clung to it was overly defensive about it. Any thought of the nuclear plans not being “absolutely safe” needed to be ignored at all cost.





I can relate. I used to feel the same way about my old Subaru Legacy, especially after she passed the 225,000 mile mark. What’s that grinding sound? What’s that odd smell? Nothing, absolutely nothing!



The problem is that the accident always hits eventually. With complex interactions between components that are tightly coupled (see Figure 9.1, Normal Accidents, Charles Perrow, or below) you will have an accident within the system. It is mathematically guaranteed to happen. The accident might not blow the plant to kingdom kum, but there is no guarantee that it won’t either.





Engineers are familiar—or should be—with the idea that redundant safety measures don’t necessarily make the system safer. They add more layers of complexity, give something else an opportunity to break down, all while lulling the human operators into a false sense of security. The Japanese appeared to have skipped this step. They created their false security without paying for the safety systems. Belief is a powerful way to circumvent the laws of physics, until it’s not.

Monday, June 27, 2011

Pleasure’s Diminishing Returns

David Linden’s book The Compass of Pleasure describes the latest neuroscience research on the medial forebrain pleasure circuit (interesting, these computer metaphors for brain anatomy).



One fascinating entropy-related finding is that the pleasure circuit activates with less intensity after each subsequent stimulant dose. A thirsty Cro-Magnon man roaming through the Sahara comes upon a stream and takes a long drink. The sandy water is the best thing he has ever tasted. A thunderstorm of pleasure is flashing inside of his head. He takes another drink. The cold water runs down his throat and seems to spread its coolness throughout his entire body. He takes a third drink. The inside of his mouth is saturated, no longer parched. But after the fourth and fifth slurp, he begins to taste the imperfections. He feels the sand in his teeth and the back of his throat. The water doesn’t seem as cold and refreshing. It doesn’t taste quite so watery. He takes one last drink for good measure and moves on.



A modern corollary is the fancy New York restaurant that only serves small steaks (heresy most everywhere else in America) because, as the restaurateurs say—as if facts mattered when the size of a man’s steak is at question—after the twelfth bite the pallet is so deadened as to render the remaining bites useless. What we call pallet is nothing but the pleasure circuit’s sensors in the mouth.



What fascinates me is that the concept of entropy is imbedded deep in one of the most fundamental processes for how we interpret reality. This must account for the bedrock and universal human psychological/emotional concept of carpe diem, stopping to smell the roses, and the joys of simple pleasures. While the pleasure circuit itself ensured that our ancestors stopped to take that drink and was quenched by it, that they lusted for sex, that they relished the taste of fat and protein and sugar. But the diminishing pleasure return may have taught them to be self-reflective about those brief moments of heightened experience. The loss of pleasure may have started those early humans to think about their emotions, and—a small leap here—to think about their thoughts. This might have been one key to the evolution of human consciousness, the brain in all its self-aware glory.



A thermodynamics question: why did the pleasure circuit have to work this way? Why not have the fiftieth bite of chocolate butter cream cake taste as exquisite as the first? Apart from the answer that the Universe just doesn’t work that way, which we all feel intuitively (what would Heaven be for?), I hazard two interpretations. The pleasure circuit is beholden to the same laws of thermodynamics as anything else. It requires energy to produce that initial burst of pleasure, and it cannot be expected to maintain that any more than you can do an infinite amount of pushups.



A second idea: in order to function in the world, we have to be able to move on, especially from things that provide pleasure. We must learn to take in all substances and experiences in moderation. The fact that pleasure (happiness) doesn’t last, and that shoving that fiftieth forkful into our mouths actually leaves us unsatisfied and unhappy, teaches us not only the necessity of moderation, but the pleasure of moderation. And as has been catalogued on this blog already, moderation is what slows the degradation of energy in our bodies, our environments, or families, our societies.



To write this blog is to realize over and again this fundamental, universal, spookily pre-ancient truth.



Much of the book is also about addiction. Listen to a great interview with Linden on Fresh Air:


http://www.npr.org/2011/06/23/137348338/compass-of-pleasure-why-some-things-feel-so-good

Tuesday, June 21, 2011

Literature and Entropy


When I began this blog on energy depletion I knew that there would not be any topic that was off-topic, since there is not a single event, practice, belief or thing you can think of that does not epitomize the expenditure of energy, including he act of thought itself. But being an English Major I was especially excited to write about the different ways energy sources and usage is depicted in literature.




How is entropy—especially social entropy—handled by writers?




Let me kick off an Entropy Law summer-reading surfeit with the summer reading novel that inspired me with this idea several years ago. Dickens’ A Tale of Two Cities.




What happened in Paris in the late 1780s and early 90s is a case study in misspent social energy. The hungering, oppressed masses in so much need of the basics for survival, witnessed the aristocratic few burning up all of France’s resources (milk for crème puffs, firewood to heat mansions, gold leaf wallpaper, in essence the entire economy) for their own needs and pleasures. This drove the commoners into the kind of sane madness that engulfs all societies when energy is likewise misspent. It is the trick of every government—democratic or dictatorship—to either balance the energy expenditure or disguise the imbalance (see Saudi Arabia). The Bastille became a symbol of the fools at the top stealing all the energy and oppressing the people who tried to take a little for themselves. Interesting that by the time the commoners stormed the prison, the government had already gotten smart to its symbolism and moved the convicts out (see Abu Ghraib). The place was mostly empty. But the act of breaking through a government-sanctioned wall also became a symbol, one that was repeated in greater, bloodier proportions (see Lybia, Syria).




The grisly image of the grindstone early in the third book is so horrific that I want to believe Dickens’ was exaggerating, but I secretly don’t want to know that he did, so I haven’t looked up the historical research. It is one of the most arresting images in the novel—perhaps second to the women knitting by the guillotine—but it is central when one is thinking about the social energies pulsing through the people committing the slaughter. The grindstone becomes a kind of engine on which the entire Revolution is run. For the commoners in Paris, the fact that it is spinning becomes reason to sharpen blades on it, and the fact that it is bloody becomes a reason to sharpen blades on it for one particular purpose. The energy that was being channeled into crème puffs and Versailles is being wrested back with each grinding turn.




The key passage for me (and the worldview of this blog) is Chapter VII of the second book, Monsignor in Town. It also happens to be a pair of beautifully constructed sentences:




“The leprosy of unreality disfigured every human creature in attendance upon the Monseigneur. In the outermost room were half a dozen exceptional people who had had, for a few years, some vague misgiving in them that things in general were going rather wrong.”




Does that ring any bells? From global warming denials to pension-budget chicanery, dealing with the effects of real energy depletion is hard work, requiring much cold-eyed sacrifice. It is far easier to cloak yourself in the “leprosy of unreality” and surround yourself with lepers. Until it’s not.

Sunday, August 22, 2010

Peter Principle in Washington

A recent David Brooks column declared that we are living in a progressive era, which he defined as a centralized government, alternately run by technocrats of both parties, spreading its centralizing tentacles into more and more decentralized systems. He suggests that this model has little public support and the public may eventually rebel French-Revolution style.

http://www.nytimes.com/2010/07/20/opinion/20brooks.html?ref=davidbrooks

Assuming that happens, it is highly likely that whoever would take power in the aftermath would continue along the same centralizing path. America, and increasingly the world, is already fundamentally centralized in physical, social and psychological ways. The centralizing we see in government is a reaction to that reality, not its cause.

The problem is that decentralized institutions do not have decentralized effects—they impact the whole. Diverse financial services are not centrally controlled in this country but their complex interactions are tightly coupled, making financial catastrophes widely felt throughout the economy. Two skyscrapers are knocked down in Manhattan and people in Missouri become terrified.

In following columns Brooks wrote about the partisan theories to cope with this bipartisan reality. Liberals seem to be able to admit that more centralization is the solution, and that the only debate worth having is over how to make government more efficient and fair in the process. Conservatives seem to have a gut reaction against the fundamental centralization in our society and think that decentralizing government, dispersing power to local control, will somehow change the underlying reality. Put this way, I think the liberals are at least being intellectually realist, while the conservatives serve the purpose of putting the breaks on the centralizing apparatus. Not many republicans—there are a few—are recommending restructuring American society to pre-Civil War levels of centralization.

The fundamental truth of American connectivity remains. The result is that Washington becomes more centralized. The forces Democrats to become more activist to keep pace with the perceived needs of the system. It forces Republicans to become more uncomfortable with squaring their ideological position with the reality of governing. This is probably why partisanship has increased. If that is true, Washington may become truly broken and completely unable to function in the coming years no matter what white knight rides into town promising to change how Washington works.

My Dad likes to say that the Peter Principle has come to Washington: government has risen to its own level of incompetence. There is a sense that things have become too complex. And that a little entropy is not only in order, but inevitable.

One day, when I am my Dad’s age, the liberals and conservatives, out of sheer desperation, may come to a grand bargain: decentralizing the country form the bottom up, while sowing incentives that allow people living in the new decentralized America to have good quality of life. But if that happens there wouldn’t be a need for liberals and conservatives…

Thursday, July 29, 2010

“The Dark Knight” Plot Analysis: Act III & Beyond



This blog is about entropy in all its forms. Entropy is the unraveling or order into chaos and by looking at the world through Entropy Law we can better see the extremes we go to slow the conversion of the world around us to chaos, and sometimes how we speed up the process. The Dark Knight is an allegory for this process. In the end, order wins out, temporarily. The question we have to ask about our real world lingers over the comic book world of the film: is the way order is enforced sustainable?



Act III opens with Dent in his hospital bed, revealed to us as Two-Face. At this point in the film, he has not crossed a point of no return. It is conceivable that he could have surgeries and return to his job and clean up Gotham. He is enraged about Rachael’s death, but he does not become a monster until the Joker meets with him. Once that meeting happens, the underlying theme of the film (and Nolan franchise to date) can now be dramatized in action.


Batman sees himself as a model of good that the rest of the city can emulate. The Joker sees himself as a symbol of chaos always winning out over order. At first, Joker wanted to prove the power of chaos simply by killing Batman and letting the mod run free again. But once he realizes that having Batman around is a chaotic disruption in itself, he decides to ensure Batman stays alive and is not outed. The second part of his plot is to show the people of Gotham that there can never be order in their city because people are not fundamentally good. He will prove this by having one group of citizens blow up the ferry boat, and by bringing Dent down to the level of the criminal scum.


The first part of his plan fails because the people on both boats were fundamentally good. He had more success with Dent, who killed five people.


Batman’s solution is to take the rap for those five deaths, and keep Dent’s transformation secret. Gordon probably had body planted in the rubble of the hospital so he could later claim Dent died a hero.


The effect on the public was not shown in the film but can be implied. The people of Gotham believe that Dent came so close to cleaning up the city, and gave his life to protect it. The people on the boats showed everyone that Gothamites were worthy of Dent’s sacrifice. This reaffirms their faith in themselves. The police have captured the Joker, proving that order can triumph over chaos. And Batman has replaced the Joker as the symbol of chaos that needs to be stamped out. Opposing Batman shows that the people are embracing civil order and civic goodness.


This premise sets up the third and final Nolan Batman film. The question for me is not which villains he will use. The suspenseful question I will be waiting for until the final scene of that movie is whether or not Wayne decides to retire Batman. If Gotham is free of its decades-long epidemic of crime and corruption, with good people running the city and setting the example, then he can retire—this would be a break form the comic books because it’s never happened in any of them as far as I know.


Or Nolan could end with the sentiment of Neil Gaiman’s “Whatever Happened to the Caped Crusader” that concluded one Batman comic series with Batman saying: “I keep this city safe. Even if it’s safer by just one person. And I do not ever give in or give up…. The end of the story of Batman is, He’s Dead. Because in the end, the Batman dies. What else am I going to do? Retire and play golf? It doesn’t work that way. I can’t. I fight until I drop. And one day, I will drop.”


Which of these Nolan decides will be a huge part of Batman lore for a long time. I can’t wait.

Tuesday, July 27, 2010

“The Dark Knight” Plot Analysis: Act II





Act II is the confusing part of this movie, which made me what to write this analysis in the first place, so I could better understand what happens. You remember: Bruce Wayne decides to turn himself in, but before he can Harvey Dent claims that he is Batman, which ends in a plot to capture the Joker.


Act II opens with the Joker’s first act of terrorism: he kills the vigilante dressed like Batman and tells Gotham via videotape that he will kill people every day until Batman unmasks himself. Up until this point, the public had never heard of this guy. He proceeds to kill the judge and the police commissioner. A few days later he shoots at the Mayor. The public begin to call for Batman to do as the Joker demands.



Wayne decides that the Joker is right: Batman has created this problem and is partly responsible for the deaths. He has sped up the entropic force of energy in Gotham from orderly chaos to pure, unorganized chaos. He also concludes that he cannot defeat the Joker, based on what the mod boss tells him. He decides to turn himself in. Let the police and Dent continue the work he has begun. Wayne tells Dent to schedule a press conference.


Dent has another plan. The following interpretation was not explicitly stated in the script so the plot could build suspense and surprise, but I think it is implied. After Batman tells Dent to schedule the press conference, Dent hatches a plan to capture the Joker. Dent will admit to being Batman, which will cause him to be locked up. He will be the bait. Gordon, who Dent believes is dead, will go undercover to escort the bait across town to County jail, and be ready when the Joker strikes. This is exactly as it unfolded, and with the help of Batman, they capture the Joker.


For a moment, Batman is winning again. The Joker is gone. Dent can clean up the city. He can retire the bat suit and be with Rachel.


But the Joker has his own secret plan. He has the mob kidnap Dent and Rachel, and forces Batman to choose which one to save. Batman picks Dent and Rachael dies. Dent is burned, setting up the final act of the movie.

Both Batman and the Joker are changed in this Act. Batman accepts that he cannot give up, probably forever. The Joker realizes that having the Batman to fight is a more fulfilling life than ripping off the mob. He tells Batman, “you complete me” and vows never to kill him. Thus the eternal conflict between these two characters is established in Nolan’s Batman universe. It is a relationship that will continue to define Nollan's Wayne/Batman—even if we never see Nollan's Joker on film again.

“The Dark Knight” Plot Analysis: Act I

There are two lines of energy fueling the plot of Nolan’s second Batman film to its inevitable entropic unraveling. Interestingly, both these power sources (or power vents) are characters: Bruce Wayne and the Joker. This stands in contrasts to many movies, including Nolan’s Inception, in which the plot is driven primarily by plot.

Let’s start from Wayne. Nolan was able to dispense with the familiar origin story in Batman Begins, so by the sequel Wayne’s motivations have evolved. His need and use of Batman has detached from the seminal act of violence in his childhood and taken on a life of its own that perpetuates in the context of the real, present world of his adult life after the introduction of Batman into Gotham City. (Those of us that are adults, are our particular paths any different?) He is not so much avenging his parents, as he is adapting to the political and criminal realities that he has in fact instigated.

In The Dark Knight, Wayne is motivated by his ability to show his city a different way, that good people can stand up to the criminal corrosion that seems to touch everything. Before Batman, change was unthinkable. But by one person fighting for good—albeit in a very dramatic fashion—people start to think that it can be done. The few good cops, the few good lawyers, the few good politicians, and a few good Samaritans gravitate around the Batman example. They pull others into their orbit. Strength comes with numbers. Confidence comes with strength. The first result is that within a single year, all the once-fearless crime bosses are scared to go out at night. The second result is Harvey Dent, who ends up convincing the cops and the politicians to arrest all the crime bosses on RICO charges. This would have been unthinkable twelve months earlier, and the Mayor gives his nebbish reasons why it simply can’t be done—but Batman has shown that it can, and has cleared the way for Dent, his political and legal counterpoint, to take over his job and bring it into the light of day.

Truth be told, Batman may have only resulted in the arrest of a handful of criminals in that first year. But because of the demonstration that crime can be opposed, the rest of Gotham City stands up to do the rest.

This all happens—Batman wins, plans his retirement—before the Joker asserts himself to the people of Gotham. But because these things happened, the Joker then asserts himself with overwhelming force.

In the first act of the movie, Joker is a small-time bank robber with a little flair. The bosses and the cops don’t take him seriously, and the public doesn’t even know he exists. The character’s motivation has always been uncomplicated: sow chaos. In the film, this is his only desire. He does not want money, a fancy lair with an expensive car. We never see him eat, drink, sleep or satisfy sexual urges. He is chaos personified, which makes him a durable canvas to project generations of audience anxieties—in this case, terrorism.

Joker understands the major impediment to sowing chaos in Gotham City is Batman. His plan is simple: work with the crime bosses to kill Batman, so the city can return to its former chaotic state, in which he will play a large role.

At the end of act I, Joker is loosing. Dent has arrested all the bosses. The streets will be clean for a year and a half. Like he told the bosses, “Dent is only the beginning.” So in Act II, Joker dramatically increases his terrorism, adding a mega jolt of energy into the city that speeds up the flow of entropy toward chaos.

Tuesday, July 20, 2010

Baboon Metaphysics





The fact that is sticking in my mind after reading Baboon Metaphysics is that human brains continuously use as much energy as the pumping leg muscles of a runner during a marathon. The authors go on to make the point that natural selection does not evolve energy-guzzling organs without an equivalent return on that investment. (Bodies are good models for efficient, entropy-slowing machines.)



The main thesis of the book is that baboon brains (and human brains) are naturally selected to do one important task very well: monitor and respond to social interactions. This skill is contrasted with some bird brains that have evolved primarily to hide and locate seeds. A male baboon’s fitness is dependent on his ability to know his social rank and compete with other males in order to climb in rank, and form bonds with females that will result in the protection of his offspring.



The authors go on to make the hypothesis that human language evolved on the foundation of ape social intelligence. The precursors for words are in simian calls. The precursors for grammar are located in the proven ability of apes to organize sounds (alarm calls or predator growls) into subject, verb, modifier sequences. What apes appear to lack is a “theory of mind” wherein they can attribute mental states to others, or sense the intent of others. They do not feel the need to “explain or elaborate upon their thoughts” rendering them “largely incapable of inventing new words or recognizing when thoughts should be articulated” (265). Five to seven million years ago, humans split from monkeys and inhabited their own branch of the evolutionary tree. At some point, we developed a “theory of mind” that took our ancestral social intelligence skills to the next level. This in turn allowed us to take advantage of language adaptations like the development of vocal cords to put distinct words to all the new thoughts we were having.



Anyway, brain size measured by something called the index of cranial capacity (ICC). This is a ratio of brain volume and body size. The bigger the body, the larger the brain. But other factors also seem to influence brain size. Animals that have long life spans plus a lover period of juvenile development have bigger brains than animals that don’t. Group size also plays a factor. Animals that live in large groups have to keep track of more individuals and relationships, necessitating a bigger brain. Baboon ICC is 7.3, whereas chimpanzee ICC is 8.2. Chimps live in larger groups than Baboons.



The book is an easy read and reflects cutting-edge research.

Tuesday, July 13, 2010

Caribbean, Part 2




The place we visited most often on our trip to Virgin Gorda was a bar/sandwich shop called Mad Dogs. It is a small, wooden one-room structure with a wrap-around porch, situated on a grassy, rock-strewn yard home to chickens and roosters. The porch overlooks the rounded humps of the Baths and Drake Chanel and Tortola beyond. A retired New York woman named Edith bought the joint after the previous owner died. She is a thin, pale, white-haired woman, frequently dressed in black. Her daughter, who was visiting, is from New Jersey. It was interesting listening to the New York accent bantering with the Jersey accent over the counter of a bar in the BVI.



Edith is what’s known down here as a belonger. A belonger is someone who visits the BVI decides that they belong there, so they become a permanent resident.



She had a few locals, by which I mean generational inhabitants, helping her in the kitchen (which was just the counters, sink and refrigerator behind the counter). Lilia, a tall dark-skinned woman is her main partner. They are infamous on the island for their witty repartee and odd-couple sensibility. We passed many hours drinking Red Stripe while sitting on deck chairs, watching the boats come and go from the Baths, listening these two and their customers.



One customer was there most of the times we were. On out last night, we struck up a conversation. He was from South Carolina. His family owned a house on the island, and he came down a couple times a year. There seems to be a lot of Southerners in the BVI—its just easier to get here from there, as our all-day air travel from Newark proves.



Of course he loved the islands, but he talked about the expense of having property here. The walls need to be re-painted frequently because the salt in the air gets into the paint and causes it to corrode. He was in the process of retiling the bathroom floor because the moisture caused the tiles to expand and crack. He said the cheapest option is to have the building supplies shipped from Home Depot in Miami.



When we drive across the island we see little construction projects on almost every property, but practically no evidence of construction taking place. There are piles of bricks, and bags of concrete, and dusty lots, and half finished cinderblock frames and unconnected pipes sticking up out of the ground and out of roofs where walls should be. It is as if the entire island is under a continual state of repair and rebuilding that never quiet gets done. The expense of bringing in material is restrictive.



Same with agriculture. The only thing we saw being cultivated on Virgin Gorda was goat. This may be why our search for a traditional Caribbean meal came up short. Does the fact that the island doesn’t produce its own food stuffs limit the inhabitant’s ability to develop an original cuisine? It would be arrogant to answer this question after being on the island for only four days. We ate a lot of very tasty sandwiches, washed down with Jamaican beer. But a sandwich is a sandwich.



We closed out Mad Dogs around 9pm, with a recommendation to have our last dinner at Chez Bamboo. This turned out to be an excellent choice. It had one of my tell-tale signs of a restaurant with great food—they make their own desert and ice cream. The homemade ice cream is no mean feat in the islands, and I believe Chez Bamboo is the only establishment on Virgin Gorda that does so. When we got there a guitar player was playing and singing classic 1950s and 60s pop songs in the outside dining patio. He told stories of playing with famous musicians who visited the Caribbean and happened to come into whatever bar or restaurant he was working in, including John Denver. He was fond of Richie Valens tunes. The food was great and the ice cream smooth and sweet.